As the dots are pressed, the song corresponding to the printed lyrics is played. The easy, fast & fun way to learn how to sing: (Yeah, Yeah) Don't get tripped up on my words I got nothing else to say And you're always coming over but you never want to stay You'd be the first to push in traffic, but you'd rather pull away I'm just now finding out that I should prolly stay away We point the blame Going back and forth never saves the day I remember when we had. Appearing within the interactive posters is a series of dots which represent musical notes, tying the interactive posters together visually with elements from the timeline poster. The movement of the typography is intended to convey the fleeting and nostalgic feelings present in Trinh’s work. Using software written in Processing, the highlighted words float up as the user interacts with the posters. Specifically, in the code-based posters, different words from the lyrics are highlighted to emphasize the melancholy emotions of the era and in the musician’s life. ![]() in love poetry as a way to construct the masculinity of the poetic speaker. Well, I'll meet you in the middle and I'll crawl to the edge And I'll stand there forever just to see if I can And I'll cry a river as I lay in your bed 'Cause I need you like I need the rain And I need you like I need the man And I need you like I've never needed anything before 'Cause we're just running wild and young It was only just for fun This melancholy love Well, I'll see you there in. The typographic treatment of the posters is intended to represent the poetic language in his words and lyrics. Several Spanish poets reinvented lyric as a melancholy and masculinist. The project is comprised of four posters: one career timeline, and three interactive posters. He was known for his anti-war and sorrow love songs from the 1950s to the early 2000s. ![]() Melancholy Love through War is a tribute to Trinh Cong Son (1938-2001), a legendary Vietnamese musician.
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